Emilian Dascal

Emilian DascalEmilian DascalEmilian Dascal
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Emilian Dascal

Emilian DascalEmilian DascalEmilian Dascal
Home
Gallery
Videos
Reviews
Biography
Contact
More
  • Home
  • Gallery
  • Videos
  • Reviews
  • Biography
  • Contact
  • Home
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  • Reviews
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The alto is often regarded as a bad violin and the altoviolist as an unsuccessful violist. When listening to Emilian Dascal play, such prejudices are forgotten and only the best alto-qualities are remembered, its softness, its ability to sing, its silent tone that no other instrument can reach.»


Karjalainen 15.12.88

In Emilian Dascal’s hands, the instrument also shone in a virtuosic way, especially in the solo-cadences. The most enjoyable element of Dascal’s performance, however, was the melodic beauty, the music welling from the heart. His playing, in addition to his musicality, was technically faultless.»


Karjalainen 15.12.88

Altoviolist Emilian Dascal made his French instrument sing without restraint a melody plaited with romantic colors and embroidered with numerous nuances.»


Savon Sanomat 4.3.90

More Reviews

«Emilian Dascal played putting his soul into the music...»

«The chamber-music line in Britten’s solo-section was continued by Emilian Dascal, a fine musician whom Joensuu not long ago lost to the capital. The altoviolin cannot trill like a violin nor is it as pathetic or singing as the cello, but it can create a uniquely soft and bittersweet, downright unreal atmosphere. Especially if both the composer and the performer master it. Britten understood the characteristics of the altoviolin and Emilian Dascal played putting his soul into the music with modest sincerity.»


Karjalainen 25.1.91



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